Saturday, 29 June 2013
The Alternative Guide to the Universe
"The Alternative Guide to the Universe explores the work of self-taught artists and architects, fringe physicists and visionary inventors, all of whom offer bracingly unorthodox perspectives on the world we live in. Inspiringly original and bracingly eccentric, their work re-imagines our social and cultural conventions in ways that fearlessly depart from accepted ways of thinking."
This is the current exhibition at the wonderful Hayward Gallery, as I must say I wasn't too sure what to expect, but again the Hayward have curated an unimaginable world, where you as a spectator are thrown into the depths of another time, another place as you wonder through the exhibition. The works are strange, uncanny, unusual, but have a perplexing intrigue that really holds your attention.
Works ranging from Photography through to Geometry, to installation to painting take you on a journey through the unknown offering up a new reality, a place which we know nothing of and perhaps would be happier in. For the most part of this exhibition I felt as if I was in another world, transfixed by the originality and space created through their vision and in fact I felt as if it was a much safer and better place for me at that very moment.
Artists' that really struck me where Melvin Edward Nelson with his UFO paintings, A.G Rizzoli with his unbelievable architectural craftsmanship of buildings as figures and the Chinese artist Guo Fengyi with her journey of spiritual and metaphysical significance, drawing figures through her visions. This show is an absolute must!
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Melinda Gibson
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Saturday, June 29, 2013
Tuesday, 18 June 2013
Works Unseen
As I research many different sources for 2 new projects that I am working on, I recalled a series I produced back in 2008-2009 using the defunct, original Polaroid. The body of work, consisting of only 6 unique Polaroids titled, "View From My View" takes inspiration from the wonderful work of Andre Kertesz and his series of a similar name. The series plays and explores Kertesz's idea of shooting objects in front of the window, in the sunlight on Polaroid but are then interrupted mid process to create these beautifully abstracted instant photographs.
They capture a time and place, offering up a new way to see the world, the view, whereby the colours, the shapes, the tones propel you deep into the chemistry, into a world unknown. The sublimeness for me, echos the paintings of the early 19th century, a place where you can escape for a moment into something different, a space that takes you wholeheartedly and brings forth emotions strong and hard into the present.
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Melinda Gibson
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Tuesday, June 18, 2013
Tuesday, 11 June 2013
Unseen Dummy Award Juror 2013
I am very, very proud and honored to announce that I have been selected as 1 of the Unseen Dummy Award 2013 Jurors at the Unseen Photo Fair in Amsterdam!!!!! I was interviewed earlier this month and you can read all about what I am looking for in a photobook and where and what I think about this beautiful medium. Here's a little except from the interview;
Why do you think photobooks are so important? Do you feel that the push to digitalise material has changed their significance?
"For me, photobooks provide physicality to a project that not only outlives the project, but also the artist. They provide an additional, exciting platform to develop a series of works into a new form, a new life. It’s where the curation of work into book form adds and aids another dimension, and often-in unexpected avenues.
With the push towards digitalisation, there seems to be a push back into the importance of having something tactical, tangible, something to hold dear and hold onto. Photobooks are a way of really capturing the essence of a project at a particular moment in time, where you can sit back, relax and really pour your time into turning the pages at your own pace. I think the significance of this is that with every development comes a yearning for it to pause, so through this digitalised material, the books become more objectified and thought of as objects in their own right, as it is so readily available to produce your own books through online opportunities. I am excited about this development and where it will progress."
With the push towards digitalisation, there seems to be a push back into the importance of having something tactical, tangible, something to hold dear and hold onto. Photobooks are a way of really capturing the essence of a project at a particular moment in time, where you can sit back, relax and really pour your time into turning the pages at your own pace. I think the significance of this is that with every development comes a yearning for it to pause, so through this digitalised material, the books become more objectified and thought of as objects in their own right, as it is so readily available to produce your own books through online opportunities. I am excited about this development and where it will progress."
Read more about Unseen here: http://www.unseenamsterdam.com/news
Posted by
Melinda Gibson
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Tuesday, June 11, 2013
Hamburg Opening
So the opening in Hamburg took place on Friday 7th June in the wonderfully bohemian artist space of Frappant EV. The exhibition, "Destroyed Images" curated by Krisitin Dittrich was a fantastic success with the exhibition still having visitors at midnight! A greatly exciting range of works were exhibited and one that really caught my eye was an artist who used all the pictures from the exhibition and turned them into wrapping paper that covered sandwiches.... A truly inspiring odd, but in-genius idea, watching people how they held this paper, not knowing where or if it should be saved, and all for €2.50!
The book performance was a fantastic success and the publication, alongside the works really helped to contextualize the entire project, the process and the labour taken to complete both. More performances are a must!
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Melinda Gibson
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Tuesday, June 11, 2013
Tuesday, 4 June 2013
"Destroyed Images" Exhibition Opens in Hamburg At The 040 Festival on Friday 7th June at 20:00
I am very pleased to announce, my works are part of this exciting festival in Hamburg which opens this Friday, 7th June from 20:00. The festival and the exhibition has a fantastic array of artists including Katharina Bosse, Markus Uhr, André Giesemann, Mauren Brodbeck and many, many others.
I will also be making a book live at the opening, demonstrating the labour intensive production of the photobook, from 20:00 onwards...
I will also be making a book live at the opening, demonstrating the labour intensive production of the photobook, from 20:00 onwards...
Here is a little bit more information about the exhibition:
"The
040 Festival takes place for the first time in Hamburg. Still in the making, it’s
understood as a pilot, which communicates an artistic idea to the public and
the city. National and international names of the art scene will be represented
and showcased. The exhibition "Destroyed Images - Zerstoerte
Bilder"
discusses the exploitation of imagery; every day more than 300 million
pictures are being uploaded & rated on Facebook. Private pictures are produced
without any kind of reflection or time for production. Things, which are
happening around us, are being documented, saved onto hard drives or virtual
storage spaces and uploaded onto the Internet.
Which
pictures do actually still matter - which ones are still of any intellectual
value? What happens with all these pictures we produce? How do photographers
treat their own work? How do they treat found material?
What
happens with photographic pictures, which we manipulate, distress, deconstruct
or reassemble? The exhibition's title "Destroyed Images" shouldn't
solely be understood in just a materialistic way, but also in a sense of
self-awareness and a scan of a constructed biography. What does it mean to
leave something behind and start again from scratch, after a loss, an accident
or an illness?"
See more here: http://frappant.org/archives/5114
Posted by
Melinda Gibson
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Tuesday, June 04, 2013
Thursday, 30 May 2013
In Conversation with Charlotte Cotton Now Live!!!
So to celebrate the London Launch of my first publication, "The Photograph as Contemporary Art" tonight at the wonderful Claire de Rouen Books, you can now see the "In Conversation" that took place at the bookshop earlier this month between the amazing Charlotte Cotton, Lucy Moore and myself!
Have a listen, it really is a great insight into how, what, when and why this project came to be as well as providing a good starting point to discuss other themes and theories around contemporary photographic practice.
See you all tonight!
See you all tonight!
You can view here too: http://www.youtube.com/watch?v=Ei3QIhOjRp4
Posted by
Melinda Gibson
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Thursday, May 30, 2013
Tuesday, 28 May 2013
Reminder - London Launch this Thursday!
Just a little reminder to say that the London Launch of "The Photograph as Contemporary Art" is this coming Thursday, the 30th May from 7-9PM. Don't let the wet weather bring you down, come and celebrate the publication with a drink or two in an incredible venue.
Posted by
Melinda Gibson
on
Tuesday, May 28, 2013
Saturday, 25 May 2013
Diffusion Festival 2013 - Weekend
So I am heading off to Cardiff in a few hours to head up to the Diffusion Festival 2013 ready for the Publishing Weekend, where I will be taking part in the Photobook Symposium. Talking alongside great artists like Edgar Martins as well as the wonderful Thijs from WassinkLundgren. The talks start at Chapter from 11:30 and it should be a great, fun packed day with debates and exciting ideas around the photobook!
Posted by
Melinda Gibson
on
Saturday, May 25, 2013
Tuesday, 14 May 2013
UK Book Launch at Claire de Rouen Books Thursday 30th May 7-9 PM
The London launch for Melinda‘s book, The Photograph As Contemporary Art, which was selected by Photoeye as one of the Best Books of 2012. Join us for a glass of wine and the opportunity to buy a signed copy of the book.
In the run-up to the launch, a conversation between Melinda, Lucy and curator and writer Charlotte Cotton was held at the bookshop. Cotton’s book ‘The Photograph As Contemporary Art’, first published by Thames and Hudson in 2004, is the preliminary document from which Melinda’s eponymous publication is assembled. The discussion will be available to view as a video online at Melinda’s blog from the 30th May onwards.
We very much look forward to seeing you in a few weeks and watch for the launch of the video discussion!
See more here: http://clairederouenbooks.com/index.php/events/
We very much look forward to seeing you in a few weeks and watch for the launch of the video discussion!
See more here: http://clairederouenbooks.com/index.php/events/
Posted by
Melinda Gibson
on
Tuesday, May 14, 2013
Wednesday, 8 May 2013
May kicks off with PGH Photo Fair
So May is a super busy month and to kick start it all off, my work is heading to the PGH, The Pittsburgh Photo Fair taking place at the Unsmoke Systems Artspace in Braddock. The fair in its second year brings together a stunning space with vintage to contemporary photography internationally to the Pittsburgh community. I am very pleased to be part of this with the lovely Next Level Projects and watch this space for installation shots of the fair.
Posted by
Melinda Gibson
on
Wednesday, May 08, 2013
Saturday, 27 April 2013
UK Book Launch Coming Soon...
So it is finally here, my UK Book Launch for my first publication "The Photograph as Contemporary Art." Launching at the amazing Claire de Rouen book shop on Thursday 30th May 2013 from 7pm. There will be more news to come, but we do have a very, very special guest taking part, in fact without her it wouldn't of been possible to make this happen!
Keep your eyes posted for more information here and on the Claire de Rouen site too; http://clairederouenbooks.com
Posted by
Melinda Gibson
on
Saturday, April 27, 2013
Tuesday, 23 April 2013
Light & Bride
So last Friday I finally managed to get to see the two shows I have been trying to see for a long time! These were the very much celebrated Light show at the Hayward and The Bride and the Bachelor at the Barbican. Two unbelievably incredible exhibitions curated with such passion and authority the exhibits were truly moving.
The Light show, now extended until May 7th is quite extraordinary as it takes you not only on a contemporary artistic journey, but a sensual one whereby the confusion of your senses makes you feel a wealth of emotions and you become reactive to the environment you are walking into in such a self participatory way. For me, the sensory overload was at times quite unimaginable as the colours, tones, mists and forms trick your eyes into seeing and understanding situations and shapes in a completely new way. Works that really got me were pieces by Carlos Cruz-Diez, Cerith Wyn Evans, Dan Flavin and Anthony McCall.
As the press release states, "Light has the power to affect our state of mind as well as alter how we perceive the world around us, and Light Show includes some of the most visually stimulating artworks created in recent years. From atmospheric installations to intangible sculptures that you can move around and even through, visitors can experience light in all of its spatial and sensory forms. Individual artworks explore different aspects of light such as colour, duration, intensity and projection, as well as perceptual phenomena."
See more here: http://www.haywardlightshow.co.uk/exhibition/
The Bride and The Bachelor is a completely different experience, but nether the less moving and inspiring. Based around the works of Duchamp and his enormously important legacy on contemporary artists John Cage, Merce Cunningham, Robert Rauschenberg and Jasper Johns. This exhibition is layered with traces of genius, as you see the effect Marcel had on the works of his contemporaries and friends. As you walk around the show, Philippe Parreno has created a musical mise en scene, producing scores from Cage and sounds of his own inspiration from these works. The result is a stunning sensory explosion, as you see, hear and feel part of a great moment in time.
Its almost impossible to truly explain the experiences you get from these two shows, the best way is to visit, see and experience them yourself and be overtaken with inspiration and vision in ways you couldn't quite imagine.
See more here: http://www.barbican.org.uk/artgallery/event-detail.asp?ID=14075
The Bride and The Bachelor is a completely different experience, but nether the less moving and inspiring. Based around the works of Duchamp and his enormously important legacy on contemporary artists John Cage, Merce Cunningham, Robert Rauschenberg and Jasper Johns. This exhibition is layered with traces of genius, as you see the effect Marcel had on the works of his contemporaries and friends. As you walk around the show, Philippe Parreno has created a musical mise en scene, producing scores from Cage and sounds of his own inspiration from these works. The result is a stunning sensory explosion, as you see, hear and feel part of a great moment in time.
Its almost impossible to truly explain the experiences you get from these two shows, the best way is to visit, see and experience them yourself and be overtaken with inspiration and vision in ways you couldn't quite imagine.
See more here: http://www.barbican.org.uk/artgallery/event-detail.asp?ID=14075
Posted by
Melinda Gibson
on
Tuesday, April 23, 2013
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