New Editorial - UYW - Issue 29

I am pleased to say here's another lovely editorial in UYW, Issue 29 of "Miss Titus Becomes A Regular Army Mac." This issue, a very beautiful one shows the works by Amy Friend, Dafna Talmor, Daisuke Yokota and Noah Wilson, here is an except about the concept;

" A new project often begins with an idea trying to take form in ones mind - the need to investigate and explore a vague dream, wild experimentation and often a mistake.

This issue is about play, trying out new processes and creating unique connections to the past; working with archives and photographing the same photograph multiple times to create mysterious images. It is not so much only about the photos themselves anymore, but the process behind them. It is questioning the photographic medium that we know and are familiar with.

Often by using found images and reinventing photographs taken by someone else, these artists apply their vision to reinvent the medium. These projects reveal photography as a medium that is no longer traditional and "straight forward".

With only a few copies left, my publishers have now sold out, please contact us directly for your copy.

Download the full magazine here: http://www.unlessyouwill.com/ISSUE-29

Royal Photographic Society Review

The first of a few great editorials this year, first a review of "Miss Titus Becomes A Regular Army Mac" and what a nice way to start, than with The Royal Photographic Society and a review by Brian Steptoe FRPS. Here is a little excerpt from the piece;

"This is an artist book, conceived by Melinda Gibson and published October 2013 by b.frank books, who specialise in artists books. It's a 46-page book, with French folds printed on both sides. Each copy is unique, signed and dated... Miss Titus, in common with many recent award-winning contemporary photobooks, uses 'found' images, in this case from the archive collection of Brad Feuerhelm... 

This book is not easy to get into, to attempt to 'read', but a steer is given in the text; that the back images establish the context for the hidden images. However, in most cases there is no connection between the two, which is the actual message implied by the book - that we seek connections and meanings where there just aren't any. It's about the 'lies' of photography, about photographs never showing the 'truth.' 

It also has a psychological element; should readers resist the temptation to cut open these hidden pages and for how long? It's a book as much about the tactical experience of handling as about the content." 

Read more in the Winter Issue, number 54 of the magazine, Contemporary Photography.

New Stockists & Editorials

 

January is proving to be a very busy month indeed and I am very pleased to say that my second publication, "Miss Titus Becomes A Regular Army Mac" is taking the lead to date, as the next few months see a collection of new Editorials and a wonderful new Stockist selling the publication. The Wonderful Tipi Bookshop in Belgium now has Miss Titus available through them and what a beautiful shop it is indeed, I must take a trip to see it when I am next in that part of Europe - soon I hope!

New editorials will include; The Royal Photographic Society,  UYW (UnlessYouWill) and PiK Magazine, but here is a little extract from Colin Pantall who not only wrote 1 review about the book, but 2, 1 for Emaho and 1 for himself.  I love it when something really gets under the skin of someone, somethings aren't meant to be easy, a test for the senses on all levels!

"She selected key images and made a book of them. But not just any book. It's a kind of annoying book that I'm still not too sure about, but then again for a book that I'm not too sure about, I sure spent  a lot of time looking at it. The next annoying thing about it is it's handmade, beautifully - so you know that Gibson spent an inordinate amount  of time on it. It's gorgeously made, tactile in a paper wrapping with a kind of glassine sleeve cover (to go with the archive picture theme). It feels lovely in the hands. Wait a minute, that's not annoying, that's good isn't it. Perhaps a bit of envy is creeping in here. If schadenfreude is taking pleasure is someone else's pain, then freudenschade is the word for taking pain in someone else's pleasure. It's just too darn smart! So it's a book that makes you work to see the images, where the images connect to their origins, where multiple layers form multiple narratives (including the narrative of construction)! Fabulous." Colin Pantall.

There are only a few copies left of the publication now, so make sure you get yours and make your own mind up...

Here is the full review here: http://colinpantall.blogspot.co.uk/2014/01/miss-titus-gets-her-knickers-in-twist.html

Attire & Equipment for 2014

This week has seen much experimentation and inspiring, thought-provoking finds as the investigations for the Silvermine Collaboration are in full swing. And what better way to start my work than with whole new attire and equipment for 2014! The only thing missing from these pictures are my black rubber, boots, apron and gloves, but it brings so much joy working like I used too many years ago.

For me Photography has always been a tool in which control was an important element and inspiration. I was drawn to this medium for the very fact that you could take an image, process the film, develop the prints and all within the constraints of a wet process. So to be working in a similar vain now, bringing it all back, and to the forefront of my mind, just consolidates why I love this medium and how important it is to push its boundaries to express my vision.

Back to the concrete studio for me, where I don on my mask and other related attire, and get processing... 

Alchemy At Its Best - Silvermine Collaboration

2014 will bring a wonderful set of new work to light as my collaborative project with Thomas Sauvin's Silvermine will debut later this year! It is a very exciting year with much work to be made, and many adventures to be had. It started long before now, in fact back in November 2012, but I shall return to China later this year to finalise the imagery and present our findings.

To work on an Archive of this kind, Time was the most important element, time to look, sit with, enjoy and edit imagery, to make the best possible selection, bring together all the ideas and produce new imagery that presents all our findings and bares the vision that makes my practice my own. Having looked through many hundreds of thousands of images, I feel that it is now the time to start producing the new works and this month see's the start of my second round of investigations, alchemy at its best!

With that I donned on my new black rubber gloves, apron and googles and set to work fusing Science and Photography, in many ways trying to separate the the two, which proved and provided my ideas and findings in magical and mysterious ways. I of course can not quite release what and how the works are made just yet, but keep watching as I post more about the works, as and when, more are made. All I can say is that my Chemistry lessons and some very talented individuals have provided much advice and the best possible way to learn is to experiment, even if that means that there are times, when I find if difficult to catch my breath.

Keep watching, this project is going to reveal some beautiful results and I am so honoured to be working with such incredible imagery...

Archive: Record, Catalyst, Fiction - Talk at The London Art Fair Friday 17th January 4-5pm

I am very pleased to announce that I am 1 of the 4 Panelists, which include Martin Barnes, (Senior Curator of Photography V&A), Pete James (Birmingham Library) and Artist/Archivist Ania Dabrowska talking about the role of the Archive. 

Chaired by the wonderful Sue Steward, the talk titled, "Archive: Record, Catalyst, Fiction" will focus on the notion that, Archives are no longer easily defined and this discussion encompasses a range of approaches: from the historical and institutional; the personal and family record; fictional narrative; digital repository and artists using found images as a catalyst for extraordinary projects.

I will be talking about my Archive influenced projects, from my last publication, "Miss Titus Becomes A Regular Army Mac"  to my long developing collaborative project with Thomas Sauvin and his much acclaimed Silvermine Archive. I will be showing imagery from the Sauvin Archive which is unseen from my residency in Beijing and discuss the future our collaborative project, which will debut later this year.

It's a talk not to be missed with some incredibly insightful and extraordinary visions, see here for pre booking information: http://www.londonartfair.co.uk/page.cfm/Action=Form/FormID=73/t=m

A Way to Watch The New Year Arrive 2014!

Welcome to 2014!!!! And what a magical way to welcome the New Year in than an extremely special trip to The Royal Albert Hall to see an exclusive screening of the multi award winning film "The Artist" live in concert! It is almost difficult to explain just how incredible this evening was, as the original composer Ludovic Bource was present playing his piano part, the wonderful Ernst van Tiel, original conductor of the film score conducted the amazing London Symphony Orchestra, bringing this film score vividly to life! It was absolutely beautiful, inspiring and one of the most memorable experiences of a life time, truly spectacular, what a way to see in 2014.

And this year is going to be a great one, not only starting with seeing in the new hours with this experience, but there is much great news which I will slowly release, as and when the time is right. But keep watching, 2014 is going to see some wonderful, wonderful things happen!

Here's a little trailer of what we saw: http://www.youtube.com/watch?v=gypdaTWqL6k

Saying Goodbye

2013. What a year it has been. There has been much fun, laughter, success and much sadness and tears, but with all the ups and downs one thing has been constant, my love and passion for my medium, photography. I can't truly explain how lucky I feel that I have outlet, a space where all my thoughts and ideas can develop into my unique vision. Where my experiences shape how I view and understand the world and the environment in which I live and how through imagery I can make my future.

So with this, a few days to go before the start of a promising, positive and successful new year, I let go of all the experiences, felt and lost, and finally say goodbye to my dearest friend, who would this year have had a very special birthday and bid him a fond farewell, this journey has now reached its end. 

Here's to 2014!!!

Emaho Magazine Miss Titus Review

    

As 2013 nears to an end, I am very pleased to say that my second publication is proving to be a great success with only a few copies left and great reviews! So with this in mind, here is a great new piece from Emaho Magazine written by Colin Pantall, here is a little excerpt from the piece.

"So Miss Titus is an investigation in some way. The first thing I notice about it is the beautiful packaging. The first layer is loose tissue, the next is orange paper (with the title mirrored in white) and then more tissue stuck with orange stickers (like the ones you get to mark sold works at some exhibitions).....

So after an inordinate amount of time and consideration, far more time and consideration than I normally give to photobooks. i get cutting. I can see a shadow of the first image on the visible page and when I cut, I see the original. it's a picture of a semi-nude woman (from Hawaii maybe) wearing a garland of leaves around her neck. Opposite there's a picture from Chicago of a semi-nude woman with fairy wings. I go back to the caption. it's Muriel Page and the visible caption says her '...wings are burned from her back many times a day on the stage of the Harding Theatre...' What does that mean. Back to the picture and still I'm none the wiser. I'll be puzzling over that for the rest of the day."

You can read the whole article here:  http://www.emahomagazine.com/2013/12/colin-pantall-on-melinda-gibsons-miss-titus-becomes-a-regular-army-mac/

A Christmas Card Homage

A Christmas Card Homage! This year I decided that what better way to thank my clients, colleagues, collaborators, friends and family than a specially handmade limited edition Christmas Card. So with that idea,  I put it into practice and designed four different cards all in Homage to the great John Baldessari! I have since a child been an avid fan of this genius conceptual artist and couldn't think of a better way to pay my inspirational respects and produce some work inspired and homaged to him.

The source visual material is from the old black and white classics from the 1930's and 1940's, the traditional Christmas films, interworked with that 'Baldessari' style, with an added element of glitter of course! The cards are made in a Limited Edition of 40 plus AP's  (each card in an edition of 10) and are signed on the back of each and every one. Just a little thank you to all for the support and guidance you have all shown over this last year, I look forward to working with you all more in the not too distant future. 

Homage to Baldessari, “Holiday Inn, 1942” Mixed Media,  2013 

Homage to Baldessari, “It’s A Wonderful Life, 1946" Mixed Media, 2013

Homage to Baldessari, “Miracle on 34^th Street, 1947” Mixed Media, 2013 

Homage to Baldessari, “A Christmas Carol, 1938” Mixed Media, 2013

Cards are now posted, so what one will you get??? 

Louis Vuitton Exclusively Represent The Special Editions of "Miss Titus Becomes A Regular Army Mac" In The New Bond Street Librairie

I am very, very, very proud to announce and release that Louis Vuitton are exclusively representing the Special Editions of my new publication, "Miss Titus Becomes A Regular Army Mac" at their New Bond Street Maison Librairie. 

With our continued relationship, the New Bond Street store now represent both of my publications, "The Photograph As Contemporary Art"  and "Miss Titus Becomes A Regular Army Mac" in the Special Editions. Both publications are positioned beautifully in a dedicated space, alongside their prints and artist information to view. 

I am completed honoured to be working with Louis Vuitton, its a stunning space to view and purchase incredible books and editions from the most iconic and prolific British artists and I am overwhelmed that I share a space with Jake & Dinos Chapman!

Dayanita Singh & Ana Mendieta

Before I flew to Australia, I had a wonderful trip to the Hayward Gallery with a collector/ friend to see these two extraordinary female artists, Dayanita Singh and Ana Mendieta. As I realise that these exhibitions are due to close on 15th December, I would wholeheartedly recommend everyone, anyone who shares a passion about photography, photo books, truth, innovation, ritualism and design and the body must see these shows before they close, they have to be some of the strongest exhibitions I have seen throughout they year. 

The Hayward for me is always a beautiful space to see major exhibitions and again they did not fail in producing and curating two empowering shows, that guide you through the lives living and lost of the two artists, Dayanita and Ana. As you walk into the ground floor, you open the door into the Mendieta show, knowing very little about this artist, I was straight away griped by the intensity, the power of her works, as she uses her body as a medium in very sense. Striking photographs depict her breasts, buttocks, stomach pressed against a piece of glass, re -enactment's of rape scenes and abstract films dominate the first few rooms. Paintings with Ox blood, the use of the tactile as Ana Mendeita puts all her strength into painting with her hands, scrapping paint down the paper, her extraordinary passion ignites every part of you.  The use of her body within her works is stunning, wrapping, positioning and covering her naked body ritualistically into the natural environment, but also her defiance, determination to record every artwork in such a archival, informative manner was so interesting to see. A truly prolific female artist and such a tragedy she died so young, its a must see show, with an energy difficult to put into words.

Then onto the wonderful Dayanita Singh and her show, as the Hayward states, " a landmark project" and it was surely that. "Go Away Closer"  is a stunning exhibition that physically visualises Singh's use of Photography as a medium. Using her imagery, intermixed with incredible design, Singh creates large wooden structures called museums that hold between 70-140 photographs in compartments that open and close, can be moved and positioned, folded and packed away. Each museum  has a curated theme and Dayanita's strong black and white imagery sit within these framed sections creating an inspiringly new way to see her imagery and the narratives that are within them. These structures are not small and the dark wood has a warm, yet slightly domineering element to them, a strength that states, we are here to stay.  It was a truly exciting and fresh way to see her works, using photography as a tool, that can be fashioned into design and where you can see in a different way. Beautiful!  

If you haven't yet seen these shows, try, try, try and here is some additional information about them both: http://www.southbankcentre.co.uk/whatson/festivals-series/dayanita-singh http://www.southbankcentre.co.uk/whatson/festivals-series/ana-mendieta/exhibition-ana-mendieta