Tuesday, 14 March 2017

24 Hours In Antwerp - FOMU & Des Artist

 
 
Thursday saw the opening of the new Braakland exhibition at FOMU, Surface Tension: Breaking The Plane Of The Photographic Image. Sadly I could not attend the opening, but travelled on Friday for a flying visit, just 24 hours to see the show, the sites and sample the delights Antwerp had to offer!

First stop of this whistle stop tour was at FOMU to see the show, meet one of the wonderful curators, fellow friends and collectors. The Museum certainly does not disappoint. A former warehouse, converted into a stunning exhibition venue; multiple floors, all with stunningly high ceilings that provide an inspirational backdrop to a conceptual curation. Here is a little excerpt from the press release.

The photographic image exists largely on screen or in flat two-dimensional form. As photography progresses and the synthesis between fine art practice and lens culture merge, the photographic image itself establishes itself in flux between the praxis of de-materialization and three-dimensional representation. The surface of an image is often a great starting point for considering how to liberate the photograph from its previous nominal flat state into a state of object-hood.

After our private tour, off to experience the delights of the city and what better way to start then with an Antwerpen Institution, Des Artist; a wonderful Brasserie that shares in a look and feel of many of the Parisian establishments, but with a warmth and generosity that I found, it seems to be very Antwerpen. Sampling the traditional dishes with the array of Belgian beers, it certainly was the best way to start off the evening. As the evening progressed, we sampled the delights of the city (the many extraordinarily designed bars) and enjoyed until the early hours, all intermixed with old and new friends. 

A huge thank you to all at FOMU and also to Stieglitz 19 for their warmth and generosity. 


Sunday, 5 March 2017

New Exhibition - Surface Tension At FOMU Antwerp - Opening Thursday 9 March At 18:00


I am very please to announce that my collaborative series, Lunar Caustic, will be part of an exciting new exhibition, Surface Tension, curated by Brad Feuerhelm at FOMU, Antwerp's Foto Museum opening this Thursday, 9th March at 18:00, part of the Braakland initiative. 

The photographic surface is generally conditioned towards flatness. This exhibition works with artists who are considering the surface of the image as a starting point to investigate what a photographic representation is, was and can be. Photographic surfaces are destroyed, built up, and worn to create completely new images. Participating artists: Sofia Borges, Brad Feuerhelm, Melinda Gibson, Petra Kubisova, Thomas Sauvin, Ruth van Beek, Thomas Vandenberghe & Daisuke Yokota.
More for information, please visit their website - http://www.braakland-fomu.be/surfacetension.php?lang=en

Thursday, 2 February 2017

New Editorial - Ambit Magazine - Issue 227

 

I am delighted to say that my collaborative series "Lunar Caustic" with Thomas Sauvin has been selected by Darren Warner, part of his take over for the new issue of the wonderfully inspiring magazine, Ambit. Our contribution is amoung some astounding artists that include, Alex Crocker, Sam Windett, Ryan Mosley, Caroline Achaintre, John Finneran and many more. You can even download one of our artworks for the next two months from their website here - http://ambitmagazine.co.uk/download-artwork

Ambit is a London-based 96 page literary and art magazine that features poetry, prose and art. We strive to feature fresh voices and visions from across the world, placing first-time writers alongside giants of the scene. Started in 1959 by the London paediatrician Dr Martin Bax, the magazine helped discover and establish Edwin Brock, Carol Ann Duffy, JG Ballard, Eduardo Paolozzi, William Burroughs, Fleur Adcock, Liz Berry and Sir Peter Blake among others. 

In these changing times, it was truly wonderful to be part of the launch night on Tuesday, where young poets performed their pieces with artistic onlookers and listeners. It seems in these changing times, poetry is increasingly becoming an important outlet for vocal frustrations, love, loss and life. Language is so important in the era where fiction controls fact.

Friday, 6 January 2017

Happy New Year - Welcome 2017

So the new year begins, and I must say what a beautiful start to 2017 I have had. I have a feeling that this year is going to be different, full of many adventures with much hope and positivity. Only six days in and the hope I draw on, is from all the great people in my life who share the same values. I see that there is strength in humanity, even in times of great turmoil and that although the journey is full of ups and downs, when we truly believe, we can join together and try and push for change. Because to try, is to open your mind to new things and be educated by others; 2017 is surely that for me.

December saw a wealth of inspiration and I was delighted to have worked on a special commission with the Tonhalle Düsseldorf, so as the new year starts, I see the final artworks in the context they were produced for, in the Oton programme magazine. It was an absolute pleasure to work with Shahin, Sina and of course all at the Tonhalle. In the coming months I hope this collaboration will grow, exciting plans dance in the background. 

The year has started well and projects are well on their way with  many more in the balance, so do watch this space for news, updates and invitations to exhibitions throughout 2017.

Monday, 12 December 2016

New Commission - Modest Mussorgsky "Pictures At An Exhibition" For The Tonhalle Düsseldorf

 

I am absolutely delighted to announce my new commission, working with the incredible Tonhalle Düsseldorf to create two new pieces in response to the classical master piece that is Modest Mussorgsky's "Pictures At An Exhibition," in particular a reworking of the movement, Goldenberg and Schmuÿle. Bringing two of the most important things to me together, Classical music and contemporary artistic practice, I can honestly say has been one of the most deeply inspirational things I have ever worked on, and I know that this is the beginning of a long and exciting journey.

Departing from the idea that the contemporary image is deeply photographic and using the tangible experience of listening to the music, I have found a way in which the classical movement can be physically translated into imagery. In essence I am changing sound waves into light and capturing their chaotic, yet deeply ordered transformation from solid matter to continuous motion. Science is at play, as Cymatics, a term coined by Hans Jenny, release their subsets of modal vibrational phenomena through graphite, powder pigment and ink. In constant flux, these changing compositions are momentarily captured as the fleeting seconds past from one wave to another.

The works will form part of the concert, in a form of a publication and which be available from Friday 16 December, when Modest Mussorgsky "Pictures At An Exhibition" orchestrated version by Ravel will be played by the Düsseldorf Symphony Orchestra. Such a delight in every sense, and a huge thank you to all at the Tonhalle it has been an absolute pleasure to work with you all.


Saturday, 3 December 2016

Lunar Caustic Now Available On - 北京银矿

It has been a very long time since I have posted anything, I think 2016 has seen so many shifts, I must admit it is rather difficult for normality to continue. I can however say that the last few months have seen much development and I am very excited to see what 2017 has to offer, with much planned already, next year really is going to be rather fun!

November saw the Redeye Talk and Workshop which I found to be immensely engaging and working some some wonderful photographic artists with their thoughtful visions and promise, it was a truly rewarding and warming experience. Manchester is also a really good city, with friendly warmth that often lacks from the Southern big smoke.

In other news, as Thomas Sauvin launches his new Beijing Silvermine website, we both excitingly continue on our collaborative journey, with more than 350, 000 new images to digest and edit, a new chapter for Lunar Caustic is arriving in early 2017. 

http://www.beijingsilvermine.com/
Lunar Caustic here http://www.beijingsilvermine.com/collaborations/lunar-caustic

More news to follow shortly and many happy advent days ahead.

Tuesday, 27 September 2016

New Talk & Workshop - Redeye Weekend - 18th & 19th November 2016 - Tickets Now Available


I am delighted to be working with Redeye in November to do an Evening Talk and Workshop with a Critique on the weekend of the 18th and 19th November in Manchester. Tickets are available now and it is sure to be a fun, inspired packed weekend discussing the changes in the photographic medium and how alternative processes can release a new found freedom in an artist's journey. Please find below some information about both events and what to expect.

Photographic artist Melinda Gibson joins Redeye to talk about her unique approach to photography. 

Through her work with found imagery, Melinda Gibson takes an experimental approach to the form, creating 'visual remixes' that force the viewer to reconsider the medium and its canon. 'By slicing, cutting and de-contextualising the images I start to gain a greater appreciation of the works; I start understanding why and how these images have been created.' - Melinda Gibson.
In this event, Melinda will talk about her recent project, Lunar Caustic, where she collaborated with Thomas Sauvin on thousands of salvaged, neglected negatives, and discuss more generally her artistic process and approach to the medium. 
The following day Melinda will give a group critique and workshop. Melinda will work with 10 photographers/photographic artists, helping them to gain new perspectives on a recent project or body of work and will help participants to reconsider their practice and gain new perspectives on a project.
Please see here for more detailed information on both events and links to purchase the tickets.

Friday, 9 September 2016

Marvellous Marrakech


I've just returned from an incredible trip to Marrakech, and to say that this city is inspiring is certainly an under statement. Marrakech has always been one of those cities that I've dreamt of adventuring too and with so much visual imagery that surrounds Morocco as a country, I knew that it was time to pack my bags and head off on an 8 day adventure!

As we flew into the airport I was immediately stuck by the colours and heat that greet you. That feeling you get as you of walk down the steps and a wave of heat hits you is something that I honestly say feels me with joy, I am sure I was made for hot climates, London is just too cold. The moment your feet touch the tarmac there is a sense of ease, calm and relaxation, there is of course bureaucracy, but nothing as strict as what we are currently use too and this for me is always a welcomed retreat.  A driver picks us up and immediately we are whizzed away to our Riad in the centre of the Medina, not one for the faint hearted, but I couldn't imagine being based anywhere else. The hustle and bustle, the colours and smells, and being in walking distance of all the city has to offer, it was just perfect.

As you enter the Medina, the city unfolds, every which way you turn this wonderful vibrant deep pink envelopes the facades and Marrakech plays out in front of your eyes. Almost theatrical in many ways, bicycles circle in between you as Souk holders sing out to visitors, a rhythm starts to enter your soul as your sense are drawn to the vibrancy of the city. Thick spice smells fill the air as sweet pastries tempt your tastebuds and pink dust flows around your toes, I've arrived and it's just wonderful.

As the sun rises and sets, each day brings a new adventure. We walk everywhere we go, so really getting a sense of the city and the locals that inhabit it. It's hot and haze re-adjusts your focus, every corner you turn another opportunity to capture something, a photo here, a photo there, the city is so visually inspiring you have to remind yourself to stop, pause and look up and out. We visit the stunning Majorelle Jardins, created by Jacques Majorelle and later taken over by Yves Saint Laurent. This tropical oasis centred around an 1920's studio that is encapsulated with the most unbelievable blue, there aren't any words that can describe seeing this colour, you really have to see it to believe it.

We visit the Bahia Palace and walk around the Royal Palace, (a fair few times as navigation is lost!) but as we loose sight of directions, we wonder into the most inspiring streets, only filled with locals and two London artists. As the days roll by we plan more adventures and take a trip to the Atlas Mountains and trek for 2 hours with a local up to 2100 meters, and travel out to the desert to see the Unesco World Heritage site, Ksar of Ait-Ben-Haddou which dates back to the 17 Century. These two days where absolutely astounding and I feel honoured to have seen them.

Morocco is an incredible country, filled with warmth and generosity and reminds us of the good of humanity. One of the lasting memories for me will be the 'call to pray' every day that echoes from one Mosque to another in the city. A call that made me feel alive, and honoured to be able to listen to the chants, truly beautiful. As a Muslim county, they have sadly seen a stark decline in tourism which deeply saddens me and was reiterated by each and every local we meet. I only hope and wish that this will disperse and people will believe in the good of humankind, no matter what country, religion or political persuasion, Marrakech you are Marvellous.


Friday, 29 July 2016

Brilliantly Berlin


Last week I decided it was time to escape London and spend a long weekend discovering and enjoying the delights of the brilliant city, Berlin. Having flown into Berlin, many times, but only spending 12 hours in the city altogether, it was about time to really immerse myself, so that is exactly what I did! 

Flying in on Thursday morning I was greeted with beautiful sunny skies and hot temperatures as the heat wave in London travelled with me to Germany. Stepping off the plane at Tegel and heading into the centre I was automatically struck by the huge sense of relief,  I had left London. I haven't posted much in the last month, to be honest, I haven't had many words to describe the events of the past month, but as I put my first step onto European soil (Airport tarmac), I felt like I was home. A warm openness embraced me, a feeling London had lacked for sometime now and it made me realise just how far as a city we need to grow, I really was having a Brexit holiday!

Everyday was filled with a wealth of walking, research and inspiration. From the moment I arrived into the city to the moment I left, I soaked up everything Berlin had to offer. Thursday and Friday saw days full of culture, visiting many exhibitions, CO Berlin, with its excellent show by Adam Jeppesen to the Martin-Gropius-Bau Berliner Festspiele, and the out of this world No It Is! show by William Kentridge. The Kentridge exhibition was more than words can explain. It is as if you are transported into his mind, pushed and pulled in every direction, every sense touched and expanded. There is such energy to his work, a fluidity that is hard to beat and an awareness of how sound and visuals interlink, they draw out the deepest depths of your psyche. I was taken beyond inspiration, into a world where everything was possible. Astounding.

Saturday and Sunday saw many a breakfast, lunch and dinner with friends in the sun. From Mitte, to Kreuzberg to Brandenburger Tor to a trip to Berliner Fernsehturm I walked the city and enjoyed the wide open streets, gazed into the distant histories still present and took time to really contemplate the dark days that city had seen, through the concrete columns of the Denkmal für die ermordeten Juden Europas. It was a trip that was filled with all the things that make me feel alive and reminds me of how dark days still linger closer than we'd like. It's why tolerance, inclusion and solidarity are ever more important in our changing political landscape. Berlin you are beautiful.


Wednesday, 20 July 2016

Installation Shots From Paris - Galerie Binôme

Delighted to show you some installation shots from my current group exhibition, Second Hands at Galerie Binôme. Only a few days left to see this lovely show in Paris as it closes on Saturday 23rd July, don't miss it!


Tuesday, 19 July 2016

Next Liberation, L'Oeil De La Photographie, Photo Mag - Press From "Second Hands" exhibit In Paris

This is the last week to see the exhibition Second Hands in Paris at Galerie Binome, closing on 23rd July. The exhibition is attracting good press with articles featured in Next Liberation, L'Oeil De La Photographie, Photo Mag, France Fine Art and Paris Art, which is great to see. As the sun continues to shine, I look forward to seeing the transformation of the colours, the silver nitrate and the new marks that will have appeared on the prints, as they continue to twist and turn in their organic state.

Press articles can be found here:

Excerpt taken from L'Oeil De La Photographie;

"Ces fragments de photos retournés sont littéralement utilisés comme de la peinture et déposés au pinceau sur la toile. Un effet pictural que l’on retrouve dans les images à quatre mains de Melinda Gibson et Thomas Sauvin. Les photographies de la collection Silvermine1, sauvées de la ruine, sont reconsidérées au seuil de leur disparition. Elles sont comme gelées entre deux états, une partie étant sauvegardée et une partie détruite par les composants mêmes, acides et nitrates d’argent, qui proviennent des cuves de recyclage qui devaient les dissoudre. Le résultat final aléatoire est le reflet de la nature instable des négatifs, où de la matière organique se développe progressivement en surface.
Par tous ces jeux, de la fragmentation, du délitement et/ou de l’accumulation, ces artistes bouleversent nos habitudes en matière d’appréhension et de lecture des images. Les liens avec le réel en sont distendus et les frontières de la photographie repoussées, voire dépassées. Leurs œuvres abordent les questions du montré et du caché, du visible et de l’invisible, du privé et du public, de la mémoire et de la fiction, en résonance avec les enjeux contemporains en matière de recyclage. Elles nous invitent à réfléchir sur le statut et le rôle des images dans une société qui les surproduit et proposent, à leur manière, des modes de résistance à l’obsolescence programmée qui régit nos vies."

Saturday, 4 June 2016

New Exhibition - The Royal Academy of Arts

Absolutely delighted and extremely proud to say that I was invited by the wonderful Stephen Chambers to participate in the Royal Academy of Arts Summer Exhibition for 2016. 

The Royal Academy of Arts Summer Exhibition 2016 is coordinated by the leading British sculptor, Richard Wilson RA. This years hanging committee includes Royal Academicians Stephen Chambers, Louisa Hutton, Bill Jacklin, Jock McFadyen, David Mach, Cathie Pilkington, David Remfry, Ian Ritchie and Bill Woodraw.

In the words of co-ordinator Richard Wilson RA, this year’s edition of the Summer Exhibition is set to be “unpredictable, stimulating and startling." Keep a particular look out for work by some of the art world’s most successful artistic duos – specially invited by Richard Wilson RA – whose work will be dispersed throughout. Highlights include a large-scale suspended kite sculpture by Heather and Ivan Morison, sculpture by brothers Jake and Dinos Chapman, and an atmospheric photographic installation from Jane and Louise Wilson.

The exhibition opens on 13th June, running to 21st August. I am delighted to have two pieces from my collaborative project with Thomas Sauvin, Lunar Caustic, part of the Print Room VII. We are certainly in fantastic company with the room full with a wealth of stunning artists that include, Jake and Dinos Chapman, Julian Opie, Yinka Shonibare, Allen Jones and Chris Orr with many more greats. It was certainly a very proud moment yesterday, sipping prosecco, floating through the galleries discovering each and every work.


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