Friday, 6 January 2017
So the new year begins, and I must say what a beautiful start to 2017 I have had. I have a feeling that this year is going to be different, full of many adventures with much hope and positivity. Only six days in and the hope I draw on, is from all the great people in my life who share the same values. I see that there is strength in humanity, even in times of great turmoil and that although the journey is full of ups and downs, when we truly believe, we can join together and try and push for change. Because to try, is to open your mind to new things and be educated by others; 2017 is surely that for me.
December saw a wealth of inspiration and I was delighted to have worked on a special commission with the Tonhalle Düsseldorf, so as the new year starts, I see the final artworks in the context they were produced for, in the Oton programme magazine. It was an absolute pleasure to work with Shahin, Sina and of course all at the Tonhalle. In the coming months I hope this collaboration will grow, exciting plans dance in the background.
The year has started well and projects are well on their way with many more in the balance, so do watch this space for news, updates and invitations to exhibitions throughout 2017.
Posted by Melinda Gibson on Friday, January 06, 2017
Monday, 12 December 2016
I am absolutely delighted to announce my new commission, working with the incredible Tonhalle Düsseldorf to create two new pieces in response to the classical master piece that is Modest Mussorgsky's "Pictures At An Exhibition," in particular a reworking of the movement, Goldenberg and Schmuÿle. Bringing two of the most important things to me together, Classical music and contemporary artistic practice, I can honestly say has been one of the most deeply inspirational things I have ever worked on, and I know that this is the beginning of a long and exciting journey.
Departing from the idea that the contemporary image is deeply photographic and using the tangible experience of listening to the music, I have found a way in which the classical movement can be physically translated into imagery. In essence I am changing sound waves into light and capturing their chaotic, yet deeply ordered transformation from solid matter to continuous motion. Science is at play, as Cymatics, a term coined by Hans Jenny, release their subsets of modal vibrational phenomena through graphite, powder pigment and ink. In constant flux, these changing compositions are momentarily captured as the fleeting seconds past from one wave to another.
The works will form part of the concert, in a form of a publication and which be available from Friday 16 December, when Modest Mussorgsky "Pictures At An Exhibition" orchestrated version by Ravel will be played by the Düsseldorf Symphony Orchestra. Such a delight in every sense, and a huge thank you to all at the Tonhalle it has been an absolute pleasure to work with you all.
Posted by Melinda Gibson on Monday, December 12, 2016
Saturday, 3 December 2016
It has been a very long time since I have posted anything, I think 2016 has seen so many shifts, I must admit it is rather difficult for normality to continue. I can however say that the last few months have seen much development and I am very excited to see what 2017 has to offer, with much planned already, next year really is going to be rather fun!
November saw the Redeye Talk and Workshop which I found to be immensely engaging and working some some wonderful photographic artists with their thoughtful visions and promise, it was a truly rewarding and warming experience. Manchester is also a really good city, with friendly warmth that often lacks from the Southern big smoke.
In other news, as Thomas Sauvin launches his new Beijing Silvermine website, we both excitingly continue on our collaborative journey, with more than 350, 000 new images to digest and edit, a new chapter for Lunar Caustic is arriving in early 2017.
Lunar Caustic here http://www.beijingsilvermine.com/collaborations/lunar-caustic
Lunar Caustic here http://www.beijingsilvermine.com/collaborations/lunar-caustic
More news to follow shortly and many happy advent days ahead.
Posted by Melinda Gibson on Saturday, December 03, 2016
Tuesday, 27 September 2016
I am delighted to be working with Redeye in November to do an Evening Talk and Workshop with a Critique on the weekend of the 18th and 19th November in Manchester. Tickets are available now and it is sure to be a fun, inspired packed weekend discussing the changes in the photographic medium and how alternative processes can release a new found freedom in an artist's journey. Please find below some information about both events and what to expect.
Photographic artist Melinda Gibson joins Redeye to talk about her unique approach to photography.
Posted by Melinda Gibson on Tuesday, September 27, 2016
Friday, 9 September 2016
I've just returned from an incredible trip to Marrakech, and to say that this city is inspiring is certainly an under statement. Marrakech has always been one of those cities that I've dreamt of adventuring too and with so much visual imagery that surrounds Morocco as a country, I knew that it was time to pack my bags and head off on an 8 day adventure!
As we flew into the airport I was immediately stuck by the colours and heat that greet you. That feeling you get as you of walk down the steps and a wave of heat hits you is something that I honestly say feels me with joy, I am sure I was made for hot climates, London is just too cold. The moment your feet touch the tarmac there is a sense of ease, calm and relaxation, there is of course bureaucracy, but nothing as strict as what we are currently use too and this for me is always a welcomed retreat. A driver picks us up and immediately we are whizzed away to our Riad in the centre of the Medina, not one for the faint hearted, but I couldn't imagine being based anywhere else. The hustle and bustle, the colours and smells, and being in walking distance of all the city has to offer, it was just perfect.
As you enter the Medina, the city unfolds, every which way you turn this wonderful vibrant deep pink envelopes the facades and Marrakech plays out in front of your eyes. Almost theatrical in many ways, bicycles circle in between you as Souk holders sing out to visitors, a rhythm starts to enter your soul as your sense are drawn to the vibrancy of the city. Thick spice smells fill the air as sweet pastries tempt your tastebuds and pink dust flows around your toes, I've arrived and it's just wonderful.
As the sun rises and sets, each day brings a new adventure. We walk everywhere we go, so really getting a sense of the city and the locals that inhabit it. It's hot and haze re-adjusts your focus, every corner you turn another opportunity to capture something, a photo here, a photo there, the city is so visually inspiring you have to remind yourself to stop, pause and look up and out. We visit the stunning Majorelle Jardins, created by Jacques Majorelle and later taken over by Yves Saint Laurent. This tropical oasis centred around an 1920's studio that is encapsulated with the most unbelievable blue, there aren't any words that can describe seeing this colour, you really have to see it to believe it.
We visit the Bahia Palace and walk around the Royal Palace, (a fair few times as navigation is lost!) but as we loose sight of directions, we wonder into the most inspiring streets, only filled with locals and two London artists. As the days roll by we plan more adventures and take a trip to the Atlas Mountains and trek for 2 hours with a local up to 2100 meters, and travel out to the desert to see the Unesco World Heritage site, Ksar of Ait-Ben-Haddou which dates back to the 17 Century. These two days where absolutely astounding and I feel honoured to have seen them.
Morocco is an incredible country, filled with warmth and generosity and reminds us of the good of humanity. One of the lasting memories for me will be the 'call to pray' every day that echoes from one Mosque to another in the city. A call that made me feel alive, and honoured to be able to listen to the chants, truly beautiful. As a Muslim county, they have sadly seen a stark decline in tourism which deeply saddens me and was reiterated by each and every local we meet. I only hope and wish that this will disperse and people will believe in the good of humankind, no matter what country, religion or political persuasion, Marrakech you are Marvellous.
Posted by Melinda Gibson on Friday, September 09, 2016
Friday, 29 July 2016
Last week I decided it was time to escape London and spend a long weekend discovering and enjoying the delights of the brilliant city, Berlin. Having flown into Berlin, many times, but only spending 12 hours in the city altogether, it was about time to really immerse myself, so that is exactly what I did!
Flying in on Thursday morning I was greeted with beautiful sunny skies and hot temperatures as the heat wave in London travelled with me to Germany. Stepping off the plane at Tegel and heading into the centre I was automatically struck by the huge sense of relief, I had left London. I haven't posted much in the last month, to be honest, I haven't had many words to describe the events of the past month, but as I put my first step onto European soil (Airport tarmac), I felt like I was home. A warm openness embraced me, a feeling London had lacked for sometime now and it made me realise just how far as a city we need to grow, I really was having a Brexit holiday!
Everyday was filled with a wealth of walking, research and inspiration. From the moment I arrived into the city to the moment I left, I soaked up everything Berlin had to offer. Thursday and Friday saw days full of culture, visiting many exhibitions, CO Berlin, with its excellent show by Adam Jeppesen to the Martin-Gropius-Bau Berliner Festspiele, and the out of this world No It Is! show by William Kentridge. The Kentridge exhibition was more than words can explain. It is as if you are transported into his mind, pushed and pulled in every direction, every sense touched and expanded. There is such energy to his work, a fluidity that is hard to beat and an awareness of how sound and visuals interlink, they draw out the deepest depths of your psyche. I was taken beyond inspiration, into a world where everything was possible. Astounding.
Saturday and Sunday saw many a breakfast, lunch and dinner with friends in the sun. From Mitte, to Kreuzberg to Brandenburger Tor to a trip to Berliner Fernsehturm I walked the city and enjoyed the wide open streets, gazed into the distant histories still present and took time to really contemplate the dark days that city had seen, through the concrete columns of the Denkmal für die ermordeten Juden Europas. It was a trip that was filled with all the things that make me feel alive and reminds me of how dark days still linger closer than we'd like. It's why tolerance, inclusion and solidarity are ever more important in our changing political landscape. Berlin you are beautiful.
Posted by Melinda Gibson on Friday, July 29, 2016
Wednesday, 20 July 2016
Delighted to show you some installation shots from my current group exhibition, Second Hands at Galerie Binôme. Only a few days left to see this lovely show in Paris as it closes on Saturday 23rd July, don't miss it!
Posted by Melinda Gibson on Wednesday, July 20, 2016
Tuesday, 19 July 2016
This is the last week to see the exhibition Second Hands in Paris at Galerie Binome, closing on 23rd July. The exhibition is attracting good press with articles featured in Next Liberation, L'Oeil De La Photographie, Photo Mag, France Fine Art and Paris Art, which is great to see. As the sun continues to shine, I look forward to seeing the transformation of the colours, the silver nitrate and the new marks that will have appeared on the prints, as they continue to twist and turn in their organic state.
Press articles can be found here:
Excerpt taken from L'Oeil De La Photographie;
"Ces fragments de photos retournés sont littéralement utilisés comme de la peinture et déposés au pinceau sur la toile. Un effet pictural que l’on retrouve dans les images à quatre mains de Melinda Gibson et Thomas Sauvin. Les photographies de la collection Silvermine1, sauvées de la ruine, sont reconsidérées au seuil de leur disparition. Elles sont comme gelées entre deux états, une partie étant sauvegardée et une partie détruite par les composants mêmes, acides et nitrates d’argent, qui proviennent des cuves de recyclage qui devaient les dissoudre. Le résultat final aléatoire est le reflet de la nature instable des négatifs, où de la matière organique se développe progressivement en surface.
Posted by Melinda Gibson on Tuesday, July 19, 2016
Saturday, 4 June 2016
Absolutely delighted and extremely proud to say that I was invited by the wonderful Stephen Chambers to participate in the Royal Academy of Arts Summer Exhibition for 2016.
The Royal Academy of Arts Summer Exhibition 2016 is coordinated by the leading British sculptor, Richard Wilson RA. This years hanging committee includes Royal Academicians Stephen Chambers, Louisa Hutton, Bill Jacklin, Jock McFadyen, David Mach, Cathie Pilkington, David Remfry, Ian Ritchie and Bill Woodraw.
In the words of co-ordinator Richard Wilson RA, this year’s edition of the Summer Exhibition is set to be “unpredictable, stimulating and startling." Keep a particular look out for work by some of the art world’s most successful artistic duos – specially invited by Richard Wilson RA – whose work will be dispersed throughout. Highlights include a large-scale suspended kite sculpture by Heather and Ivan Morison, sculpture by brothers Jake and Dinos Chapman, and an atmospheric photographic installation from Jane and Louise Wilson.
The exhibition opens on 13th June, running to 21st August. I am delighted to have two pieces from my collaborative project with Thomas Sauvin, Lunar Caustic, part of the Print Room VII. We are certainly in fantastic company with the room full with a wealth of stunning artists that include, Jake and Dinos Chapman, Julian Opie, Yinka Shonibare, Allen Jones and Chris Orr with many more greats. It was certainly a very proud moment yesterday, sipping prosecco, floating through the galleries discovering each and every work.
Posted by Melinda Gibson on Saturday, June 04, 2016
Sunday, 22 May 2016
I am very pleased to announce that my collaborative project, Lunar Caustic will be part of a new exhibition in Paris that opens at Galerie Binome on Thursday 26th May. The exhibition, Second Hands presents artists that look to use the tactility of the found image to push forward ideas surrounding transmission, transfer and transformation within the changing landscape of contemporary visual language. Here is a section from the press release below;
"Sous le commissariat de Sophie Bernard, la sélection réunit des photographes et des artistes, mais également des éditeurs et collectionneurs. À partir de corpus d’images anciennes, négatifs ou tirages, ils font œuvre et établissent d’autres rapports au visible. Détachés d’un pathos matérialiste qui viendrait sacraliser ces images primaires oubliées ou tombées dans l’anonymat, ils reconsidèrent les qualités de ces matériaux, vieillis et un peu sales pour les recycler, les détourner et les hybrider..."
See more about the exhibition here -
Posted by Melinda Gibson on Sunday, May 22, 2016
Saturday, 14 May 2016
I may have been very quiet lately, but I have been in my studio working on some new pieces. I am absolutely thrilled to say that my new works were commissioned for the FT Weekend Magazine, which is live online now and available in print from today - Saturday 14th May!
In preparation for Photo London 2016, the FT Weekend Magazine, official media partner, commissioned four artists to create new work centred around their individual take on My London. I am very honoured to have worked with such an incredible commissioning team and to be situated in the magazine with some truly brilliant contemporary artists that use photography in exciting and inspiring ways. I am in great company with one of my fondest fellow friends, Tom Lovelace, the naughty Juno Calypso and one of great Magnum photographers, Mark Power. It is certainly an issue that shows how photography is shifting, developing and prepares you for what Photo London will offer.
My London, focus on the city as an never source of chaotic inspiration, with it's twists and turns offering up the everyday to the extraordinary. I centre the new works on the role of Instagram and how virtual portals are changing our physical experiences.
Read more on this and others in the FT Weekend Magazine Photo London 2016 special supplement and online here:
Posted by Melinda Gibson on Saturday, May 14, 2016
Saturday, 19 March 2016
Last night saw the London Premiere of Ballet Black's Triple Bill live at the Barbican, with only two nights to catch this astounding performance I was beyond excitement to be there on the opening night! This performance pulls together the company, Ballet Black which is made up of international dancers of black and Asian descent with three bold and inventive choreographers that collaborate to present, as the Barbican states, "an irresistible trilogy of narrative and abstract dance."
As the curtains drew open you could feel the anticipation in the air, the excitement, the intrigue to see what this triple performance had in store. Ballet has always been a draw for me, it brings together so many elements that remind me of the importance of the present moment. The power of the human body, strong and muscular intertwined with classical overtures that leave you breathless, all weighted in a central core narrative that is effortlessly played out. It also reminds me of my youth, when I , myself trained in ballet for over 10 years, ready to move onto point, but later let it drift away. I must admit I was new to Ballet Black and I feel sadly others are the same; where our education is rich in white bourgeois Russian dancers, and lacks the multiculturalism which is modern day living. So Ballet Black and others like it, that championed black and asian dancers is well overdue!
As the first performance started, that effortless delicacy that comes from professional dancers takes hold as they glide across the stage, extended limbs, held positions, lifts and turns, at every point you are in awe of the combined strength that filters through their core. The music, almost sporadic in its nature, heightens the glistering sequins on the ballerina's tutu, while the lights hit a shattered mirrored pendant that hangs down throwing brilliant bright shards of light across the stage. The music slows as the dancers draw back to their starting positions and we prepare ourselves for the second bill.
The light shifts, a cast of blue falls onto the stage and with this a large silk cloth flows over the dancers. It is difficult to express how this one movement of fabric automatically starts an emotive reaction that is impossible to stop. This fluid movement, intermixed with the classical scores from violin and piano was breathtaking, at that very moment I was deeply captivated, almost mesmerised as the tears rolled down my cheeks. Watching so intently, it was if time was standing still, while I was transported into another world, as two dancers intertwined where then later torn apart. This piece was extraordinary, so emotive that you could feel every part of the narrative playing through your veins. As closure approached, my heart was heavy and my eyes full of tears, a breath taking experience that will stay with me for many years.
The finale piece was Storyville, described as, "a bittersweet fable of Nola, a farm girl who falls prey to unscrupulous characters and worldly desires in 1920s New Orleans, set to the haunting music of Kurt Weill," and it surely was that! This piece was full of embrace, power, corruption and distress, lit in crimson and bold in it's style, it was a stunning finale to the triple bill.
I can wholeheartedly say that this has to be one of the best ballet's I have ever seen and an evening that I will never forget. Ballet Black is unforgettable and I shall actively be looking out for more of their performances, they are truly not to be missed!
Posted by Melinda Gibson on Saturday, March 19, 2016
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