Thursday, 20 April 2017

The Feminine Heroic - The Paris Review

In times with so such political unrest, with misogynistic themes and phrases rife, it is always so comforting to see women take the rains and steer so hope and humanity back into our mysterious, troublesome ways. I am very pleased to have, (although a small contribution) an image of mine representing some key values and themes in an article about "The Feminine Heroic", written by Megan Mayhew Bergman.

A little excerpt from the article here, "Perhaps some early eremitic women, as devout as they might have been, were not running toward Christ but away from life as it had become. If they needed relief, respite, communion with the divine, or a chance to play the protagonist of their own lives, they had to take great risks to claim it.

Times of hardship often demanded women step outside gender roles, such as the expansion of the American frontier, which resulted in heroic, physical pursuits by women. Willa Cather’s Alexandra Berson in O Pioneers! is independent and entrepreneurial. The world wars gave women opportunities to serve as nurses, ambulance drivers, and fighter pilots. The painter Romaine Brooks presented her iconic image of the heroic feminine in 1914: La France Croisée depicts her lover, Ida Rubinstein, as an ambulance driver, the city of Ypres burning behind her."

Tuesday, 14 March 2017

24 Hours In Antwerp - FOMU & Des Artist

Thursday saw the opening of the new Braakland exhibition at FOMU, Surface Tension: Breaking The Plane Of The Photographic Image. Sadly I could not attend the opening, but travelled on Friday for a flying visit, just 24 hours to see the show, the sites and sample the delights Antwerp had to offer!

First stop of this whistle stop tour was at FOMU to see the show, meet one of the wonderful curators, fellow friends and collectors. The Museum certainly does not disappoint. A former warehouse, converted into a stunning exhibition venue; multiple floors, all with stunningly high ceilings that provide an inspirational backdrop to a conceptual curation. Here is a little excerpt from the press release.

The photographic image exists largely on screen or in flat two-dimensional form. As photography progresses and the synthesis between fine art practice and lens culture merge, the photographic image itself establishes itself in flux between the praxis of de-materialization and three-dimensional representation. The surface of an image is often a great starting point for considering how to liberate the photograph from its previous nominal flat state into a state of object-hood.

After our private tour, off to experience the delights of the city and what better way to start then with an Antwerpen Institution, Des Artist; a wonderful Brasserie that shares in a look and feel of many of the Parisian establishments, but with a warmth and generosity that I found, it seems to be very Antwerpen. Sampling the traditional dishes with the array of Belgian beers, it certainly was the best way to start off the evening. As the evening progressed, we sampled the delights of the city (the many extraordinarily designed bars) and enjoyed until the early hours, all intermixed with old and new friends. 

A huge thank you to all at FOMU and also to Stieglitz 19 for their warmth and generosity. 

Sunday, 5 March 2017

New Exhibition - Surface Tension At FOMU Antwerp - Opening Thursday 9 March At 18:00

I am very please to announce that my collaborative series, Lunar Caustic, will be part of an exciting new exhibition, Surface Tension, curated by Brad Feuerhelm at FOMU, Antwerp's Foto Museum opening this Thursday, 9th March at 18:00, part of the Braakland initiative. 

The photographic surface is generally conditioned towards flatness. This exhibition works with artists who are considering the surface of the image as a starting point to investigate what a photographic representation is, was and can be. Photographic surfaces are destroyed, built up, and worn to create completely new images. Participating artists: Sofia Borges, Brad Feuerhelm, Melinda Gibson, Petra Kubisova, Thomas Sauvin, Ruth van Beek, Thomas Vandenberghe & Daisuke Yokota.
More for information, please visit their website -

Thursday, 2 February 2017

New Editorial - Ambit Magazine - Issue 227


I am delighted to say that my collaborative series "Lunar Caustic" with Thomas Sauvin has been selected by Darren Warner, part of his take over for the new issue of the wonderfully inspiring magazine, Ambit. Our contribution is amoung some astounding artists that include, Alex Crocker, Sam Windett, Ryan Mosley, Caroline Achaintre, John Finneran and many more. You can even download one of our artworks for the next two months from their website here -

Ambit is a London-based 96 page literary and art magazine that features poetry, prose and art. We strive to feature fresh voices and visions from across the world, placing first-time writers alongside giants of the scene. Started in 1959 by the London paediatrician Dr Martin Bax, the magazine helped discover and establish Edwin Brock, Carol Ann Duffy, JG Ballard, Eduardo Paolozzi, William Burroughs, Fleur Adcock, Liz Berry and Sir Peter Blake among others. 

In these changing times, it was truly wonderful to be part of the launch night on Tuesday, where young poets performed their pieces with artistic onlookers and listeners. It seems in these changing times, poetry is increasingly becoming an important outlet for vocal frustrations, love, loss and life. Language is so important in the era where fiction controls fact.

Friday, 6 January 2017

Happy New Year - Welcome 2017

So the new year begins, and I must say what a beautiful start to 2017 I have had. I have a feeling that this year is going to be different, full of many adventures with much hope and positivity. Only six days in and the hope I draw on, is from all the great people in my life who share the same values. I see that there is strength in humanity, even in times of great turmoil and that although the journey is full of ups and downs, when we truly believe, we can join together and try and push for change. Because to try, is to open your mind to new things and be educated by others; 2017 is surely that for me.

December saw a wealth of inspiration and I was delighted to have worked on a special commission with the Tonhalle Düsseldorf, so as the new year starts, I see the final artworks in the context they were produced for, in the Oton programme magazine. It was an absolute pleasure to work with Shahin, Sina and of course all at the Tonhalle. In the coming months I hope this collaboration will grow, exciting plans dance in the background. 

The year has started well and projects are well on their way with  many more in the balance, so do watch this space for news, updates and invitations to exhibitions throughout 2017.

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