Friday, 20 January 2012
"The New Alchemists"
Kodak
The company which once sold 90% of the film used in the US and made a type of film – Kodachrome – so beloved by amateur and professional photographers that Paul Simon wrote a hit song about it, finally succumbed to the digital revolution which left its products obsolete after years of ferocious competition from more light-footed rivals in the Far East.
The company, whose little yellow boxes could once be found throughout the world, had tried to reinvent itself as a manufacturer of printers to capitalise on its reputation as the best for film printing. But despite the closure of 13 factories, 130 processing labs and 47,000 job losses, the business had little choice but to file for chapter 11 bankruptcy protection. The filing lists its assets as worth $5.1bn – but its debts stand at $6.8bn.
"The board of directors and the senior management team unanimously believe this is the right thing to do for the future of Kodak," said chief executive Antonio Perez. He told the company's 19,000 employees, who face further cost structure "transformation", that they are "essential to our future".
Tuesday, 10 January 2012
"The Handmade Photograph: the role of craft in art photography" Talk on Wednesday 18th January
Friday, 6 January 2012
Eve Arnold 1912-2012
Born in Philadelphia, Pennsylvania in 1912, Arnold was a prominent member of Magnum Photos and the first woman photographer to join in 1957. She began her photography career whilst working at the Stanbi Photos plant in New Jersey in 1946, and in 1948 studied photography with Alexei Brodovitch at the New School for Social Research in New York. Arnold moved to London, England in 1962 where she continued to live and work.
She will perhaps be best remembered for her exceptional photographs of people; the famous, politicians, musicians, artists and the unknown. Her intimate, sensitive and compassionate ten year collaboration with Marilyn Monroe has cemented her as one of the most iconic portrait photographers of our time, but it is the long term reportage stories that drove Arnold’s curiosity and passion."